![]() Once you import the footage in Premiere Pro CC 2017, go to your Color Workspace and navigate to the Curves tab. ![]() In the meantime, keep an eye on your highlights and adjust your exposure accordingly in case you need to. ![]() Even though the following workflow refers to Premiere Pro CC 2017, you can apply basically the same rules in every other color grading platform that features the color grading tools utilized in the video below.įirst of all, it’s important to overexpose your footage with at least two stops when shooting with this color profile, as the Sony mirrorless cameras tend to produce some grain even when properly exposed while shooting in S-Log 3. Yet, there are certain recommendations that you should bear in mind to be able to get the best results quickly and efficiently. In fact, you can do this just as you would normally do with any other footage that needs to be color graded. Nevertheless, many people still struggle when it comes to pulling off this tricky color grading task. Color grading Log footage isn’t rocket science by any means.
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